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My recent work shares with earlier bodies of work a fascination with archetypal forms; forms somehow strangely familiar yet not readily fixed to any single temporal or cultural provenance.

The juxtaposition of the familiar and the inexplicable, the ubiquitous and the abstruse, functions as a type of aesthetic Rorschach Test.  The qualities of kinetic and tactile interaction deepen, or so I believe, the viewer’s intimacy with the objective nature of the work.